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Jessy J at Iridium recap February 11, 2012

Posted by Mike C. in Broadway, Hockey, Jazz, Media, Music, Personal, Photography, Travel, TV.
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I was at The Iridium jazz club Thursday night to see saxophonist/vocalist Jessy J perform.  There were two shows: 8:00 and 10:00.  I went to the earlier one.  It was the first time I’d seen her solo since I first saw her with Guitars and Saxes in 2008.

I had originally planned on seeing Jessy at the Daniel Street club in Milford, Connecticut back in late July, but I was unable to make it.  I was unaware she’d be at The Iridium until the previous Monday, January 30, when the date was listed in her latest newsletter.  Not about to let this opportunity pass me by, I immediately bought a ticket.

Before we get the show recap started, I’d like to share a funny thing that happened after I bought that ticket.  The site I bought it through, TicketWeb, listed my hometown, with the 11793 zip code, as Briar Park rather than Wantagh.  I had never heard of that alternate name and a Google search was inconclusive.  I reached out to my Facebook friends from Wantagh or North Wantagh through a status update, but none of them commented.  A comment in this old message board thread helped slightly, but not much:

… While my neighborhood is served by the Levittown School district, I am 110% positive that my development is considered (for intents and purposes) North Wantagh. Just north of me is the “R” section of Levittown, and the Briar Park section of Wantagh; and south of the parkway is the “T” section …

I walked through that “T” section of North Wantagh earlier today, so called because most of the street names begin with the letter “T” (i.e. Twin, Tally, Toll Gate, Tumble, etc.).  So, apparently, Briar Park is a section of Wantagh, but I still don’t know where.  If anyone happens to read this and knows the answer, please leave a comment.

On to the recap:
I was dropped off at the Wantagh LIRR station at 5:30, 29 minutes before my Penn Station-bound train arrived.  I killed some of the time in the adjacent McDonald’s, buying a small meal, before returning to the platform.  The train I was on was an older model, an M1, the predecessor to the M7, which features an automated voice recording – which I do a good impression of – and synthesized bell.  When I arrived at Penn Station, I immediately walked to the 34th Street subway station to take the uptown 1 train to 50th and Broadway.  I barely missed one, but another arrived four minutes later.  Finally, I arrived at The Iridium, 45 minutes before showtime.  Since I was early, I got a great seat: a table on the left side of the stage.  After a spaghetti and meatballs dinner, it was finally time for Jessy J and the band.

Jessy was on the tenor sax:

Her pants look pink, but they’re red.

She was backed up by Jay Rowe on keyboards:

Mike Nunno (“NEW-no”) on bass:

Jon Roundtree on drums:

And Rohn (“Ron”) Lawrence on guitar:

8:00 SET LIST
1.
Fiesta Velada
2. Sin Ti
3. Mas Que Nada (Sergio Mendes & Brasil ’66 cover) – Jessy, vocals; Rohn, background vocals
4. Tequila Moon
5. Tropical Rain
6. Remember the Night
7. Hot Sauce
8. Conga (Gloria Estefan & Miami Sound Machine cover) – Jessy, vocals; Rohn, vocal solo
9. Oye Como Va (Tito Puente cover, arrangement similar to Santana version) – Jessy, vocals; Rohn, vocal solo
10. Baila! – Jessy, vocals

1-4 are from Tequila Moon (2008).
5 and 10 are from True Love (2009).
6 and 7 are from Hot Sauce (2011).

A few songs featured a call and response, wild at times, with Jessy and Rohn Lawrence.  Here’s a sample:

The view from the HD monitor behind me:

Jessy wore two musical hats for “Mas Que Nada,” “Conga,” “Oye Como Va,” and “Baila!”: saxophone and vocals. Here she is during “Mas Que Nada”:

Rohn backed her up:

Mike Nunno’s “Mas Que Nada” bass solo:

Rohn’s “Remember the Night” guitar solo:

Clapping at the start of “Hot Sauce”:

Jessy switched to alto sax for “Conga” and “Oye Como Va”:

“Conga” vocals:

Rohn’s “Conga” solo:

Miami-style clapping:

Vocal solo…

…with audience participation:

Jay Rowe’s “Oye Como Va” keyboard solo, first seen from a monitor:

The end-of-solo glide:

Jessy switched back to tenor sax for the last song of the set – “Baila!”:

Jay’s “Baila!” solo:

Then, it was Rohn’s turn:

And finally, a drum solo by Jon Roundtree:

The last note:

The end!

Afterward, Jessy and I briefly caught up with each other and shot this picture:

She asked if I still had my blog and I told her I do.  I also met Rohn in person for the first time and caught up with Jay and Mike, who I’d previously seen on bass for drummer John Favicchia’s Dharma All Stars.  Outside of the band, I saw my friends Katherine Gilraine, who came for the 10:00 show, and Kat Sarracco who was at the 8:00 show, but I didn’t even notice during it because I was focused on the stage the entire time.

Going back to Penn Station, I was unable to find the entrance to the 50th-Broadway subway station’s downtown platform.  So, I gave up and planned on walking all the way down to Penn.  I didn’t realize it, but I would be walking through Times Square.  The tourists were out in full force and I was one of them, shooting these pictures:

My last picture of the night was the exterior of the Times Square station:

I was finally able to board the downtown 1 train, but had to walk a bit above ground before finding the LIRR entrance.  I ran to catch the 10:05 Babylon-bound train.  The New York Rangers hockey team had a game against the Tampa Bay Lightning at Madison Square Garden that ended moments earlier.  (The Rangers won 4-3 in overtime.)  So, the train I barely made was packed.  I stood by the car door until Jamaica when one of the fold-out seats next to me was vacated.  I got back to Wantagh just after 11:00, ending a great night of music and travel.

Thanks to Jessy, Jay, Mike, Jon, and Rohn for a wonderful, exhilarating show.  It was a blast!

Double feature: “It’s Love” and “Galaxy” February 2, 2012

Posted by Mike C. in Jazz, Music, Personal.
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Tuesday was doubly good to Eric Marienthal and Jeff Lorber.  Eric’s solo album, It’s Love, was released, and so was Galaxy, the album for Eric’s other band, The Jeff Lorber Fusion.  Both have a presence on each other’s albums, which I received via UPS yesterday evening.

After getting my Grover Washington, Jr. albums out of the way, I spent today listening to Eric and Jeff’s works.  We’ll start with It’s Love, produced by Chuck Loeb.  Chuck was on all but one of the ten tracks, wrote one, and co-wrote two with Eric.  Jeff Lorber appeared on four and co-wrote one with Eric.  Russell Ferrante of Yellowjackets appeared on five and also co-wrote one with Eric.  Jimmy Haslip, formerly of Yellowjackets and currently of Jeff Lorber Fusion, played bass on four tracks.  Brian Culbertson co-wrote and appeared on the last track.  The tracks are as follows:
1. Get Here (Brenda Russell cover) (4:29)
2. In A Sentimental Mood (Duke Ellington cover) (5:20)
3. Can’t Buy Me Love (The Beatles cover) (5:49) – This is a radically different arrangement than the original.  I call it a Beatles bossa nova.
4. It’s Love (5:51)
5. Two In One (6:21) – This has what I consider the vintage Chuck Loeb sound, which makes sense since he wrote it.  I love the call and response in the latter part.  That will be a blast if it’s played live.
6. Costa Del Soul (5:20)
7. Babycakes (4:41)
8. Café Royale (6:00)
9. St. Moritz (5:25)
10. When I Found You (4:20)

And then there’s The Jeff Lorber Fusion’s Galaxy; not to be confused with Galaxian, the Fusion’s 1981 release.  In addition to new compositions, three original Fusion tunes and one Jeff solo tune are redone.  Eric Marienthal appears on nine tracks, Jimmy Haslip appears on seven.  The tracks:
1. Live Wire (7:03) – They start the album off with a bang here.
2. Big Brother (4:50)
3. Montserrat (4:58)
4. Singaraja (4:37) – Featuring Randy Brecker on trumpet
5. Galaxy (5:17)
6. City (4:29) – First heard on Wizard Island (1980).
7. Horace (5:34) – Dedicated to Horace Silver (2/13 UPDATE: The end is reminiscent of “Hudson” on Jeff’s 2007 album, He Had a Hat; a reprise, even.)
8. The Samba (4:49) – First heard on Soft Space (1978).  The original led with Terry Layne on saxophone, but this time, sax is traded for Larry Koonse on guitar.  The percussion isn’t as wild as in ’78.
9. Rapids (4:26)
10. Wizard Island (4:50) – First heard on Wizard Island (1980).
11. The Underground (4:39) – First heard on Jeff’s long-awaited solo album (seven years after his last one), Worth Waiting For (1993).; featuring Randy Brecker on trumpet.  An album that started with a bang ended with one.

I love both albums.  They are superb from start to finish.  For approximately two listening hours, I was in heaven.  I wish more people from my generation appreciated this genre as much as I do.

My Grover Washington, Jr. collection February 1, 2012

Posted by Mike C. in Internet, Interviews, Jazz, Media, Music, News, Personal.
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From Grover’s AllMusic bio page

I was first exposed to the late Grover Washington, Jr. in 1996, the year I began listening to what was then CD 101.9 (now FM News 101.9) here in New York.  “Mister Magic” was the first song I heard.  Then, there were “Take Five (Take Another Five)” and “Soulful Strut.”  In the early 200s, Before I wised up and bought physical CDs or digital MP3s (through iTunes or Amazon), I downloaded two of those songs through a free file-sharing program.

When my aunt moved to South Florida in 2003, she gave me a Grover compilation album.  I only listened to two songs on it: “Let It Flow (For Dr. J),” a tribute to Grover’s love of Julius Erving and the Philadelphia 76ers, and “East River Drive,” a tribute to the Manhattan parkway otherwise known as the FDR Drive.

A few years ago, with the help of my friend Matt Marron’s TWC Classics site, a tribute to The Weather Channel, I learned of many more Grover songs that were used in the Local Forecasts in the 1980s.  They included “Winelight” and “Jet Stream.”

Finally, in December 2010, I took the big step and began my Grover Washington, Jr. collection of CDs.  I bought:

  • Winelight (1980)
  • Come Morning (1981)
  • The Best Is Yet To Come (1982)
  • Inside Moves (1984)
  • Time Out Of Mind (1989)
  • Next Exit (1992)
  • Soulful Strut (1996)

That was it until a few nights ago after reading an online interview with Bob James (h/t Fourplay website cross-post).  Since I didn’t have Grover’s early albums in my collection yet, I didn’t think of this:

You were with CTI for a few years before your own project debuted. When did Creed Taylor interject and aid in the progression of things?

Well, I was working a lot with Creed at the time for CTI. But I was working primarily as an arranger and would play piano on other jazz artists’ records. After doing this for about two or three years, on a fairly stable basis, and being on the support staff for other artists like Grover Washington, finally Creed asked me if I wanted to do my own album. So of course I said yes. One ended up being my first [album] for CTI.

Bob appeared on Grover’s first five albums.  Saturday night, I bought the last two of those five and a few after that:

  • Mister Magic (1974)
  • Feels So Good (1975) (Amazon MP3s)
  • A Secret Place (1976) (Amazon MP3s)
  • Reed Seed (1978)
  • Paradise (1979)
  • Strawberry Moon (1987)

Some of the early stuff is a little too fusion-y for me, but still great.

Grover Washington, Jr. died in December 1999 at the age of 56.  His legacy lives on through his recordings, a generation of saxophonists inspired by him, and jazz fans like me.

Ken Navarro, “The Test of Time” January 12, 2012

Posted by Mike C. in Animation, Football, Jazz, Media, Music, Personal, Sports, Travel, TV.
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Ken Navarro rang in 2012 by releasing his new solo acoustic guitar album, “The Test of Time,” on his website.  The street date is March 20, but if you can’t wait, and I sure couldn’t, you can buy through his website.  Since it arrived in the mail two days ago, I’ve listened intently to the album’s twelve tracks, classic songs that truly stand “The Test of Time.”

The tracks (original artist in italics):
1. Imagine (John Lennon) (5:11)
2. Little Martha (The Allman Brothers Band) (3:56)
3. Just Like A Woman/Sad Eyed Lady of the Lowlands (Bob Dylan) (6:09)
4. Message In A Bottle (The Police) (4:37)
5. Eight Days A Week/Ticket to Ride/Day Tripper (The Beatles) (4:37) – As I listened to this, I found myself impersonating the Beatles on select lyrics, namely on “Day Tripper”
6. The Days of Wine and Roses (Henry Mancini) (5:03)
7. Wichita Lineman (Glen Campbell) (4:26)
8. Letter From Home (Pat Metheny Group) (2:41)
9. Caroline No (The Beach Boys) (2:42)
10. Europa (Santana) (6:57)

I got my first taste of “Letter From Home” and “Europa” at last year’s Smooth Jazz for Scholars concert in Milford, Connecticut.

Bonus Tracks:
11. Bach BWV 998 (J.S. Bach) (3:28)
12. When You Wish Upon A Star (Cliff Edwards as Jiminy Cricket) (3:15) – This was originally heard in the Disney classic Pinocchio, but since 1987 (following Super Bowl XXI), it’s used in the post-Super Bowl (and other major sports championships) ad for Walt Disney World and Disneyland Resorts.  You’ve just finished listening to “The Test of Time.”  What are you going to do next?  I’m going to Disney World!

The description on the album’s webpage is apt: it’s a “Ken Navarro masterpiece” from start to finish.

2/1 UPDATE: “Message In A Bottle” music video:

2011 in review December 31, 2011

Posted by Mike C. in Commentary, Internet, Jazz, Media, Music, News, Personal, TV.
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The following is a WordPress post for my blog, edited by me with editorials (like this one) in italics.

The WordPress.com stats helper monkeys prepared a 2011 annual report for this blog.

Here’s an excerpt:

The concert hall at the Sydney Opera House holds 2,700 people. This blog was viewed about 8,300 times in 2011. If it were a concert at Sydney Opera House, it would take about 3 sold-out performances for that many people to see it.

Click here to see the complete report (link removed).

Why did I remove the link?  It drastically slowed down my browser (Firefox) and repeatedly crashed it.  I’m finishing this post in Internet Explorer.  Here’s the text I copied and pasted, saving in multiple drafts between crashes:

WordPress.com presents

The Mike Chimeri Blog

2011 in blogging

Happy New Year from WordPress.com!

To kick off the new year, we’d like to share with you data on your blog’s activity in 2011. You may start scrolling!

Crunchy numbers

The concert hall at the Sydney Opera House holds 2,700 people. This blog was viewed about 8,300 times in 2011.  If it were a concert at Sydney Opera House, it would take about 3 sold-out performances for that many people to see it.

In 2011, there were 43 new posts, growing the total archive of this blog to 225 posts.  There were 861 pictures uploaded, taking up a total of 1gb.  That’s about 2 pictures per day.

The busiest day of the year was August 21st with 236 views.  The most popular post that day was Bolder & Fresher Tour at Westbury recap.

How did they find you?

Some visitors came searching, mostly for joyce cooling, empty stage, wwe headquarters, ken navarro, and steve scales.

What is people’s fascination with a picture of an empty Parsons Complex auditorium stage that I put in my 2008 Smooth Jazz for Scholars recap?

Where did they come from?

Most visitors came from The United States. Canada & Italy were not far behind.

Here are the stats I screencapped before Firefox crashed one time too many:

People also visited from other continents, but I can’t risk crashing my browser again to see their stats.

Who were they?

Your most commented on post in 2011 was Bolder & Fresher Tour at Westbury recap
These were your 5 most active commenters:

Perhaps you could follow their blog or send them a thank you note?

Thank you, even if you disagreed with me.  And thank you, Johnny Dollar, for linking to the recap.  It was the only one online.  Not even Newsday wrote about the show.

Attractions in 2011

These are the posts that got the most views in 2011.

Some of your most popular posts were written before 2011. Your writing has staying power! Consider writing about those topics again.

I don’t know why that FBN post continues to get attention.  Cablevision added it in November 2009.

As always, thank you very much for visiting.  Happy 2012!

Smooth Jazz for Scholars 2012 date/lineup December 25, 2011

Posted by Mike C. in Jazz, Music, Personal.
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Two days ago, I visited keyboardist Jay Rowe’s website to see if there was info on the 2012 Smooth Jazz for Scholars, the tenth overall.  There was:

I am pleased to announce that next year’s Smooth Jazz For Scholars show featuring Paul Taylor, Nick Colionne, Chieli Minucci, Nelson Rangell and Shilts will be held May 5, 2012 at the Parsons Complex [auditorium] located at 70 West River Street Milford, CT. 06460.  Tickets are now on sale for $40 each and the first 200 tickets sold will be reserved seating.  Tickets can be purchased by sending a check or money order payable to Smooth Jazz For Scholars Inc. to P.O. Box 3723 Milford, CT. 06460.

This will be my sixth year in attendance.

Here is how the 2011 show went.

Steve Cole at Houndstooth recap; Fall Foliage November 13, 2011

Posted by Mike C. in Jazz, Music, Personal, Photography, Travel, Weather.
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Updated at the end with feedback from Steve.

Last night, saxophonist Steve Cole performed at Houndstooth Pub, a few blocks north of Penn Station.  For me, Houndstooth has become the new IMAC.  December 4 will mark one year since my first show there.

I didn’t have a ride to the Wantagh LIRR station.  So, I walked there in the late afternoon around sunset.  (The days are short this time of year.)  Along the way, I took pictures of noteworthy foliage.

This is a tree on Briard Street:

The corner of Briard and Island Road:

Stephen Lane:

Ella Road:

Beech Street:

Across from Wantagh Elementary School:

South of Bunker Avenue:

Then, I put the camera away and didn’t take it out of my travel bag until 8PM at Houndstooth.

Ed Tankus of Blue Plate Radio welcomed the sold-out crowd, introduced Steve Cole, and then Steve introduced himself:

Steve played tenor sax:

He was joined by Carl Carter on bass:

JJ Sansaverino on guitar:

Steve Williams on drums:

And Bill Heller on the keyboard:

When I walked down the stairs, I saw a Kurzweil PC3x keyboard and knew Bill would be in the band.  It was a pleasant surprise.

SET LIST

SET 1
1.
Off Broadway (NY LA, 2003)
2. So Into You (Between Us, 2000)
3. Just A Natural Thang (True, 2006)
4. Undun (The Guess Who cover) (Moonlight, 2011)
5. Angel (Sarah McLachlan cover) (Moonlight, 2011)
6. Got It Goin’ On (Between Us, 2000)

SET 2
7.
Thursday (Spin, 2005)
8. Curtis (True, 2006)
9. When I Think of You (Stay Awhile, 1998)
10. Sugar (Stanley Turrentine cover)
11. Our Love (Stay Awhile, 1998)

“Undun” intro:

“Got It Goin’ On” featured solos from Bill…

…and Carl:

JJ had a guitar solo on “Thursday”:

“Curtis” had a long and interesting backstory, which Steve told before playing it:

Steve invited up his friend Dave Hiltebrand to stand in on bass for “Sugar”:

Dave’s bass solo:

Steve Williams’ drum solo:

End of “Sugar”:

The last song of the night was “Our Love”:

The last note:

This night is history.

Steve Cole is very entertaining, funny, wild, sensitive, and soulful.  We saw all sides last night.  Thanks to Steve, Steve Williams, Carl, JJ, Bill, Dave, and Steve Butler of Mighty Music Corp.  It was a fun few hours.

11/14 UPDATE: This album began with foliage pics on my walk to the train station.  I took a few more this afternoon in my front and back yards:

11/15 UPDATE: I linked to this recap on my Facebook wall and tagged Steve in the link description.  Today, he left a comment:

Thanks for the kind words Mike! I’m so glad you came, and had a great night….

CJazzPlus with Mike Chimeri on WCWP October 22, 2011

Posted by Mike C. in Airchecks, Comedy, Internet, Jazz, Media, Music, News, Personal, Radio, TV.
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UPDATE: Pictures from the WCWP 50th Anniversary Celebration

Early this morning at 1:00, CJazzPlus with Mike Chimeri aired on WCWP-FM.  It’s part of the 50th anniversary of Homecoming Weekend which started last night at 7:00 and ends late tomorrow night.

I recorded my show a few weeks ago.  And it’s a good thing I did because I’m coming off a cold and my voice isn’t quite at 100% yet.  (I took my last of five antibiotics a half hour before writing this post.)

Below are the audio and video version of the aircheck recorded from the board a few weeks ago.  The legal ID that played between hours of my show was recorded from the stream and added to the aircheck file.  The video was recorded from my camcorder and mixed with the aircheck audio in Sony Vegas Movie Studio HD Platinum 10.0.
CJazzPlus with Mike Chimeri – 10/22/11 Aircheck

And this is the complete playlist with written notes (click to view larger):

The “separate page” was a scan of the liner notes for “Anything’s Possible” and “One for Shorty.”  I originally credited everyone on those tracks, but had to edit them out for time.

This evening, I’ll be at the Top of the Commons at C.W. Post for the WCWP 50th Anniversary Celebration.  I hope to have pictures for a later post.

10/23 UPDATE: Rather than upload pictures to the blog, I’ve made my Facebook album of pics from last night public.  Click here to see them.

Matt Marshak with Oli Silk & Joey Sommerville recap October 2, 2011

Posted by Mike C. in Jazz, Music, Personal, Photography, Travel, Weather.
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Click here for my previous Matt Marshak show recap.

I was at the Houndstooth Pub last night to see Matt Marshak with Oli Silk and Joey Sommerville perform.  Thinking the show was at 7:00, I left for the Wantagh LIRR station at 5:00 for the 5:18 train to Penn Station.  Before I left the house, it still felt warm and barely humid outside, but on the platform at the train station, it felt cool and dry.  It’s a good thing I brought a jacket.  I also brought an umbrella, which came in handy for the four-block walk to Houndstooth.  For the second day in a row, small bands of rain developed and moved their way north-northwest.  The tri-state area was on the northeast side of an upper-level low pressure system centered over Pennsylvania.  That’s still the case as I type.  When I got to Houndstooth at 6:25, I was informed that the show was at 8:00 rather than 7:00.  So, I had to wait in the entrance for close to ten minutes until the lower level, where the show was, was opened up.

Once the doors opened, the seats at the tables and bar (where I sat) gradually filled up.  There were few empty seats left by show time.  After an introduction from Eulis Cathey of WBGO (whose show I put on for a few minutes while writing the early part of this post), it was time to begin.

Matt Marshak played guitar:

Oli Silk on the keyboard:

Joey Sommerville on trumpet:

Kenny Harris on bass:

And Carl “C-Man” Anderson on drums:

I was there for the first set before they took a break.  Here’s what they played:
(NOTE: Joey came to the stage after the song 2, did not play on song 7.)
1. On the Rocks
2. S.O.S.O.S.! (Oli Silk)
3. Swag (Joey Sommerville)
4. Teddy P – Kenny Harris, vocals
5. A Silent Knowing
6. Moonshadows (Joey Sommerville)
7. Get Out Claws (Oli Silk)
8. Like You Mean It (Joey Sommerville) – Joey S., vocals
9. I Will Be With You – Kenny Harris, bass solo; Carl Anderson, drum solo/vocals

(singing): “Swing yo’ hips (4x) like you mean it!”

Joey took to the audience midway through “Like You Mean It”:

“I Will Be With You” had two major solos.  First from Kenny Harris…

…and then Carl Anderson:

The C-Man got a standing ovation:

The last note of the set:

You couldn’t ask for a better night: a packed house and outstanding music from outstanding players.

10/4 UPDATE: Check out Katherine Gilraine’s recap.

WCWP Homecoming Weekend Radio Show! October 1, 2011

Posted by Mike C. in Airchecks, Internet, Jazz, Media, Music, Personal, Radio.
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I was back at WCWP (on the C.W. Post Campus of Long Island University) yesterday afternoon to record a radio show – CJazzPlus with Mike Chimeri – that will air during the station’s 50th Anniversary Edition of Homecoming Weekend.  You can hear it Saturday, October 22, from 1AM to 3AM Eastern; Friday, October 21, from 10PM to midnight Pacific.  If you’re outside the signal range, head to the WCWP website and click on “88.1 WCWP” to hear the stream.

16 hours later, I’ll be at the 50th Anniversary Celebration dinner at the Top of the Commons.  It should be an exciting event, as will the rest of the weekend.  WCWP has been on the air for 50 years, and I’m glad to have contributed to one-fifth of that.  Wednesday, October 5, marks the 10th anniversary of my first radio show – the maiden voyage (as I called it) of The Mike Chimeri Show.

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